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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Sonate No. 2
Violon et Piano
Violin and piano - Digital Download SKU: S9.Q21149 Composed by Stefan Heucke. This …
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Violin and piano - Digital Download SKU: S9.Q21149 Composed by Stefan Heucke. This edition: Sheet music. Violin Library. Downloadable. Op. 58. Duration 21 minutes. Schott Music - Digital #Q21149. Published by Schott Music - Digital (S9.Q21149). Die zweite Violinsonate op. 58 entstand im November und Dezember 2009 und ist als freundliches Gegenstück zu der düster-aufgewühlten ersten Violinsonate op. 38 (2000) konzipiert. Die helle Grundstimmung des Werkes ist sicherlich nicht zuletzt durch seinen Enstehungsort Cervo an der ligurischen Riviera, meiner italienischen Wahlheimat, buchstäblich bei Sonnenschein unter blauem Himmel entstanden, beeinflusst. Dem ganzen Werk liegt ein musikalisches Motto zugrunde, das jedoch erst im abschließenden zehntaktigen Adagio amoroso, das aus einer versunkenen Welt zu entstammen scheint, verraten wird. Alles Material ist darauf bezogen und die ganze Sonate scheint eigentlich nur komponiert worden zu sein, um diese Schlussaussage formulieren zu können. Der erste Satz ist ein breit angelegtes Moderato mit zwei Themen in strenger Sonatenhauptsatzform. Sowohl thematisches Material als auch alle formalen Verbindungsglieder sind harmonisch wie melodisch aus den Intervallen der kleinen und großen Terz und deren Komplementärintervallen, der großen und kleinen Sext gebildet. Dieses beinahe serielle Verfahren wird allerdings von dem überschwänglich romantischen Gestus der Musik vollkommen kaschiert. Der sehr schnelle, federleicht schwebende zweite Scherzosatz wird beherrscht vom luftigen Pizzicato der Violine und flüchtigen Klavierfiguren, nur im gesanglichen Trio erhebt sich die Violine zu einer vierphrasigen, langsam aufsteigenden Kantilene auf choralartig akkordischem Untergrund des Klaviers. Die langsame Einleitung des Finalsatzes nähert sich dem abschließenden Motto bereits sehr deutlich ohne es ganz erklingen zu lassen. Diese Introduktion wird in die Mitte des zweithemigen, feurig dahinstürmenden Allegro anstelle einer Durchführung wieder aufgenommen und in den lebhaften Gestus des Schlusssatzes umgewandelt. Mit dem Erklingen des eigentlichen Herzstück des Werkes als Adagio amoroso schließt das Werk, sicherlich sehr überraschend für Neue Musik. - Stefan Heucke.
$27.99
25.76 €
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Violon et Piano
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Stefan Heucke
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Sonate No. 2
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Schott Music - Digital
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SheetMusicPlus
Sonate No. 1
Violon et Piano
Violin and piano - Digital Download SKU: S9.Q20911 Composed by Stefan Heucke. This …
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Violin and piano - Digital Download SKU: S9.Q20911 Composed by Stefan Heucke. This edition: Sheet music. Violin Library. Downloadable. Op. 38. Duration 21 minutes. Schott Music - Digital #Q20911. Published by Schott Music - Digital (S9.Q20911). Die Sonate op. 38 entstand im November und Dezember 2000 und ist das einzige unmittelbar autobiographische Stück, das ich bisher komponiert habe. Es ist dem Gedenken eines toten Freundes gewidmet, den ich 17 Jahre lang aus den Augen verloren und im Sommer 2000 auf dem Friedhof wiedergefunden habe. Ein während der Zeit unserer Freundschaft im Herbst 1983 entstandener Plan für eine Violinsonate konnte nun verwirklicht werden. Die Initialen des Widmungsträgers – A.F. – beherrschen die gesamte Struktur des Werkes. Der erste, in unaufhaltsamer, wilder Bewegung voranstürmende Satz speist sich aus zwei ausladenden gesanglichen Themen, das erste aus dem Intervall A – F, das zweite aus dem Intervall (E)S - H gewonnen, die von unaufhörlichen Sechzehntelbewegungen des Klaviers vorangetrieben werden. Der zweite Satz schweißt drei Formteile in einen großen Variationssatz zusammen: Zunächst Thema und fünf Variationen über Brahms’ Volkslied Da unten im Tale, dann ein variierter Scherzosatz über eben dieses Thema und schließlich eine gedrängte Passacaglia, die auf der Basis des Klanges A - F die vergangenen musikalischen Ereignisse zusammenpresst. Zum Schluss erscheint noch einmal das Brahms-Lied in entrückter Klanggestalt in der entfernten Tonart E-Dur. Der Text dieses Liedes lautet: Da unten im Tale läufts Wasser so trüb, Und i kann dirs net sagen, i hab di so lieb. Sprichst allweil von Lieb, sprichst allweil von Treu, und a bissele Falschheit is au wohl dabei. Und wenn i dirs zehnmal sag, dass i di lieb, und du willst nit verstehen, muss i halt weiterziehen. Für die Zeit, wo du g’liebt mi hast, dank i dir schön, und i wünsch, das dirs anderswo besser mag gehen. - Stefan Heucke.
$27.99
25.76 €
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Violon et Piano
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Stefan Heucke
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Sonate No. 1
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Schott Music - Digital
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SheetMusicPlus
Nove Sonate
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.789357 Composed by Fedele Fenaroli…
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Solo Guitar - Level 3 - Digital Download SKU: A0.789357 Composed by Fedele Fenaroli. Arranged by Roberto GarcÃa. Baroque,Standards. Individual part. 17 pages. Apt4guitar #3416203. Published by apt4guitar (A0.789357). Solo guitar arrangements.Contents: Sonatas I, II, III, IV, V, VI, VII, VIII and IX.
$14.95
13.76 €
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Guitare
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Fedele Fenaroli
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Roberto GarcÃa
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Nove Sonate
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apt4guitar
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SheetMusicPlus
Sonata for 6 Players
Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - …
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Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.
$34.99
32.21 €
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Hans Werner Henze
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Sonata for 6 Players
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Schott Music - Digital
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SheetMusicPlus
La Chapelle des Abîmes
Orgue
Organ - advanced to difficult - Digital Download SKU: S9.Q6220 D'après Julien…
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Organ - advanced to difficult - Digital Download SKU: S9.Q6220 D'après Julien Gracq. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 26. Duration 17 minutes. Schott Music - Digital #Q6220. Published by Schott Music - Digital (S9.Q6220). Julien Gracq's novel Au château d'Argol° includes a chapter in which one of the heroes, Herminien, discovers a chapel hidden deep within a forest. Soon ... through the branches, twisted in fantastic arabesques, appeared the grey wall of a chapel hanging in the midst of an abyss. He sees an organ there, and, climbing the steps of the loft, he starts to improvise. Then, from the depts of his disquiet, a sound rose up. The author gives a description of this improvisation that, musically, expresses all the psychological tension that has built up in the course of the novel. The musical work bearing the title of this chapter does not claim to respond the letter of the literary description of this improvisation, which would be as impossible as describing Proust's Sonate de Vinteuil, but it is inspired by both - this description and by the novel itself.
$17.99
16.56 €
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Orgue
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Jean Guillou
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La Chapelle des Abîmes
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Schott Music - Digital
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SheetMusicPlus
Easter Music - "Blow, golden trumpets, sweet and clear" SATB Choir w/ Organ and Opt. Brass Quartet
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1430384 By Edw…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1430384 By Edward Miller. By Kenneth Martin. Arranged by Kenneth Martin. Easter,Praise & Worship,Sacred,Spiritual,Traditional. 42 pages. Martin Music Editions #1010990. Published by Martin Music Editions (A0.1430384). Easter Music - A New Arrangement for SATB Choir with Organ and Optional Brass QuartetDescription:Celebrate the joy and resurrection of Easter with this exquisite arrangement of Easter Music, a timeless poem penned by Margaret Deland, set to the classic hymn tune ROCKINGHAM. This arrangement, meticulously crafted for SATB choir with organ and optional brass quartet accompaniment, captures the essence of Easter's triumphant spirit.Historical Background:Edward Miller (1735-1807): Edward Miller, an English composer and organist, is renowned for his contributions to church music. His most enduring legacy is the melody ROCKINGHAM, originally composed in 1790 for the hymn When I Survey the Wondrous Cross. ROCKINGHAM's enduring popularity and versatility have made it a cherished melody in Christian hymnody for centuries, embodying the solemnity and reverence of sacred music.Margaret Deland (1857-1945): Margaret Deland, an American novelist, poet, and humanitarian, crafted Easter Music as a poignant reflection on the Easter season's profound significance. Deland's evocative words invite listeners to contemplate the themes of rebirth, redemption, and hope that lie at the heart of Easter's message. Through her literary talents, Deland captured the essence of the Easter story, infusing it with depth and emotion.Arrangement Details:This edition of Easter Music transcends traditional choral settings with the addition of powerful instrumental accompaniment for optional brass quartet. The majestic resonance of the brass instruments enhances the arrangement's grandeur, providing a stirring backdrop to the choir's melodic lines. Choirs have the flexibility to perform this arrangement as a standalone anthem or incorporate it seamlessly into congregational worship, making it a versatile addition to Easter services or any sacred occasion.Ideal Usage:Whether performed as a standalone anthem during Easter services or integrated into congregational hymnody, Easter Music offers a captivating musical experience that resonates with audiences of all ages. Its timeless melody, profound lyrics, and dynamic instrumental accompaniment combine to create a powerful expression of faith and celebration, making it a perfect selection for Easter Sunday or any worship setting seeking to embrace the hope and joy of the resurrection.
$2.50
2.3 €
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Chorale SATB
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Edward Miller
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Kenneth Martin
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Easter Music - "Blow, golden trumpets, sweet and clear" SATB Choir w/ Organ and Opt. Brass Quartet
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Martin Music Editions
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SheetMusicPlus
A Thousand Years
C Instrument - Level 2 - Digital Download SKU: A0.1424426 By Christina Perri. By Ch…
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C Instrument - Level 2 - Digital Download SKU: A0.1424426 By Christina Perri. By Christina Perri and David Hodges. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Lead Sheet / Fake Book. 4 pages. B. McCormick #1005616. Published by B. McCormick (A0.1424426). “A Thousand Years” Lead Sheet Music Step into the timeless ballad “A Thousand Years” by Christina Perri, featured in the Twilight movie soundtrack. Our meticulously crafted Lead Sheet captures the essence of eternal love, combining the melody line with harmonizing chords. Whether you’re a solo performer, part of an ensemble, or a worship leader, this arrangement invites you to experience romance through music. About the Song “A Thousand Years” resonates with longing and devotion. Written for the novel and subsequent film series Twilight, it captures the love affair between Edward and Bella. The song’s haunting melody and poetic lyrics evoke the timeless promise of forever. Sheet Music Details Our Lead Sheet arrangement simplifies the original score, providing essential elements for performance: Melody Line: The vocal melody, beautifully notated, allows you to sing or play the heart of the song. Harmonizing Chords: Above the melody, chords guide your accompaniment, creating a rich harmonic backdrop. Can be used by any accompanying instruments. Lyrics Included: Sing along or share the story through the words interwoven with the music. Chord Sheet Included: As well as the lead sheet an accompanaying chord sheet with the lyrics and chords is included. This gives additional information, chord diagrams, strumming patterns and fingerpicking patterns making it an ideal tool for both learners and instructors. Vocal Line Suggestions: During instrumental parts, consider adding further instrumentation (such as violin, flute, or cello) to enhance the arrangement. Melodies for these additional instruments are notated with smaller note heads to distinguish them from the sung melody. About the Arranger: Barry McCormick Barry McCormick, the creative force behind this Lead Sheet arrangement, weaves simplicity and emotion into every note. His musical journey spans years of exploration, from classical compositions to contemporary adaptations. As you play “A Thousand Years,” you’ll connect with Barry’s passion for making music accessible to all. Connect with Barry: X|TT|YT|IG: @resourcefularrangementsBarry invites you to explore the magic of music, one chord at a time. 🎵💕.
$3.99
3.67 €
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Christina Perri
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Barry McCormick
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A Thousand Years
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B. McCormick
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SheetMusicPlus
A Thousand Years
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1424437 By Christina …
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1424437 By Christina Perri. By Christina Perri and David Hodges. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Score. 6 pages. B. McCormick #1005621. Published by B. McCormick (A0.1424437). “A Thousand Years” Piano Vocal and Guitar Sheet Music Step into the timeless ballad “A Thousand Years” by Christina Perri, featured in the Twilight movie soundtrack. Our meticulously crafted Piano Vocal and Guitar Arrangement captures the essence of eternal love, combining the vocal melody, harmonizing chords, and sweeping arpeggios. Whether you’re a solo performer, part of an ensemble, or a worship leader, this arrangement invites you to experience romance through music. About the Song “A Thousand Years” resonates with longing and devotion. Written for the novel and subsequent film series Twilight, it captures the love affair between Edward and Bella. The song’s haunting melody and poetic lyrics evoke the timeless promise of forever. Sheet Music Details Our arrangement offers a rich musical tapestry: Vocal Melody: The treble clef in the right hand carries the emotional weight of the lyrics, allowing you to sing or play the heart of the song. Harmony Part: The left hand provides additional harmony, enhancing the overall texture. Sweeping Arpeggios: In the chorus, sweeping arpeggios add depth and drama, creating a satisfying challenge for intermediate pianists. Pedaling and Sustain: The ending section features marked pedaling, but sustained chords can be used throughout bars with the same harmonic structure. Left Hand over Right Hand: This simple concept yet can be technically difficult is seen in the ending section. Care should be taken to ensure the upper melody is clear and legato and that there is no distinction in sound from when the right and left hand swap taking the melody Guitar Chord Sheet: Included alongside the piano part, the guitar chord sheet provides: Lyrics and Chords: Strum along with the lyrics using chord symbols. Chord Diagrams: Visualize finger placement for each chord. Strumming and Fingerpicking Patterns: Suggestions to enhance guitar accompaniment. About the Arranger: Barry McCormickBarry McCormick, the creative mind behind this arrangement, weaves emotion and musicality into every note. His journey as an arranger spans years of exploration, from classical compositions to contemporary adaptations. As you delve into “A Thousand Years,” you’ll connect with Barry’s passion for making music accessible and heartfelt.Connect with Barry: X|TT|YT|IG: @resourcefularrangementsBarry invites you to explore the magic of music, one note at a time.
$4.99
4.59 €
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Piano, Voix et Guitare
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Christina Perri
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Barry McCormick
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A Thousand Years
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B. McCormick
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SheetMusicPlus
Jan Zach - Fugue in C Minor
Orgue
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Men…
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
4.59 €
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Orgue
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz
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Jan Zach
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Guido Menestrina
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
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